Marquee is organized around how film work is actually evaluated: someone presses play, and the first fifteen seconds decide. So the reel owns the hero in a letterboxed frame, and every other element, stills, credits, laurels, exists to earn that press.
The design borrows the grammar of cinema itself. House black, projector white, amber like film leader; credit-roll typography with proper hierarchy; project stills staged on scroll like a trailer’s shot progression.
The business layer respects industry channels: commercial and narrative work are split so agencies and producers each find their evidence, representation contact is stated plainly, and a press kit download saves everyone the email chain.